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Gear · Nouméa, New Caledonia

My professional camera gear, on land and underwater

I’m Benjamin, a photographer in Nouméa. These are the tools I use to make your pictures: two full-frame Canon EOS R6 bodies, six lenses from 8 to 600 mm, a Profoto flash and a Nauticam housing rated to 100 m. For each one, what it actually changes for your photos.

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  • 2full-frame bodies
  • 6lenses · 8 → 600 mm
  • 3flashes
  • 100 munderwater housing
Approximate proportions

The viewfinder

What each lens sees

Pick a focal length: the frame tightens just like in my viewfinder, from the fisheye that swallows the whole landscape to the 600 mm that reaches the bird at the far end of the lagoon.

Choose a focal length

Canon RF 24-70 mm F2.8 L IS USM Wide angle: the whole scene, a group, a place that tells its story.

See the lens

The table

Every tool, and what it changes for you

My gear laid out flat, drawn in approximate proportions. Open a card for its specifications.

  • ×2

    Bodies

    Canon EOS R6 × 2

    What it changes for you Two identical bodies: if one has the slightest issue, the session goes on. And two focal lengths ready at once, so I never swap lenses during moments that won’t happen twice.

    Ideal for
    • Weddings
    • Portraits
    • Family
    • Underwater
    • Wildlife
    Specifications
    Sensor
    Full frame, 20.1 MP
    Stabilization
    In-body, up to 8 stops
    Autofocus
    Eye, face and animal detection
    Cards
    Dual SD UHS-II slots
    Burst
    12 fps (20 fps electronic)
  • Lenses

    Canon RF 85 mm F1.2 L USM

    What it changes for you The king of portraits: a creamy background, a subject sharp down to the eyelashes, and enough light to keep shooting as the sun goes down.

    Ideal for
    • Portraits
    • Weddings
    Specifications
    Aperture
    f/1.2
    Line
    L series
    Aperture blades
    9
    Weight
    1,195 g
  • Lenses

    Canon RF 24-70 mm F2.8 L IS USM

    What it changes for you The reportage lens: from the whole group to the detail of a ring without moving, with the same brightness from morning to night.

    Ideal for
    • Weddings
    • Events
    • Family
    Specifications
    Focal length
    24–70 mm
    Aperture
    Constant f/2.8
    Stabilization
    5 stops
    Weight
    900 g
  • Lenses

    Canon RF 50 mm F1.8 STM

    What it changes for you Light and discreet: perfect for candid family moments, without ever intimidating the children.

    Ideal for
    • Family
    • Portraits
    Specifications
    Aperture
    f/1.8
    Aperture blades
    7
    Weight
    160 g
  • Lenses

    Canon RF 100-500 mm F4.5-7.1 L IS USM

    What it changes for you Shoot from afar without disturbing: the vows from the back of the church, a child at play, the birds of the lagoon.

    Ideal for
    • Wildlife
    • Weddings
    • Events
    Specifications
    Focal length
    100–500 mm
    Aperture
    f/4.5–7.1
    Stabilization
    5 stops
    Weight
    1,370 g
  • Lenses

    Canon RF 600 mm F11 IS STM

    What it changes for you A very long telephoto that stays light: wildlife, the moon above the lagoon, the details the eye can’t see.

    Ideal for
    • Wildlife
    • Landscape
    Specifications
    Focal length
    600 mm
    Aperture
    f/11
    Stabilization
    5 stops
    Weight
    930 g, retractable
  • Lenses

    Canon EF 8-15 mm f/4L Fisheye USM

    What it changes for you The underwater lens: behind the housing’s dome, it fits the whole reef in the frame while staying close to the subject, where the water is clearest.

    Ideal for
    • Underwater
    • Landscape
    Specifications
    Focal length
    8–15 mm
    Angle of view
    180°, circular at 8 mm, full-frame at 15 mm
    Aperture
    f/4, L series
    Weight
    540 g
  • Light

    Profoto A10

    What it changes for you Studio light that fits in the bag: soft and natural, it tames the midday sun and saves the evening photos.

    Ideal for
    • Portraits
    • Weddings
    • Events
    Specifications
    Type
    Round-head on-camera flash
    Power
    76 Ws
    Control
    AirTTL, Bluetooth
  • Underwater

    Nauticam NA-R6

    What it changes for you The full-frame body goes down into the lagoon with all its controls: the same image quality as on land, underwater.

    Ideal for
    • Underwater
    Specifications
    Type
    Aluminium underwater housing
    Depth rating
    Up to 100 m
    Controls
    Access to the camera controls
  • ×2

    Underwater

    INON D-200 × 2

    What it changes for you Water absorbs reds and oranges within the first few metres: two strobes, one on each side, bring back their true colours.

    Ideal for
    • Underwater
    Specifications
    Type
    Underwater strobes
    Quantity
    2, one on each side
    Guide number
    20
    Coverage
    110° underwater
    Modes
    S-TTL auto and 13-step manual
  • Underwater

    Venom 50

    What it changes for you A continuous light to find the subject in the blue, nail the focus and light the video.

    Ideal for
    • Underwater
    Specifications
    Type
    Dive light
    Use
    Aiming, focusing, video
  • Accessories

    Filters

    What it changes for you Taming the tropical sun: fewer reflections on the water, a deeper sky, and water that turns to silk in a long exposure.

    Ideal for
    • Landscape
    • Portraits
    Specifications
    Type
    Neutral density, polarising
    Use
    Long exposures, reflections, colours
  • Accessories

    Tripods

    What it changes for you Absolute stability: sharp landscapes at dusk, and group photos where everyone is in, photographer included if you wish.

    Ideal for
    • Landscape
    • Portraits
    Specifications
    Use
    Long exposures, landscapes, video, group self-timer shots

Your session

Which gear for your session?

The bag changes with every project. Here is what suits each type of session best.

Weddings

Two bodies, wide to telephoto, and light for the evening.

Portrait & fashion

The 85 mm for texture, the flash to sculpt the light.

Underwater

The housing, the fisheye behind the dome and two strobes for colour.

Wildlife & landscape

Long lenses for wildlife, filters and tripod for landscapes.

Benjamin Forte, underwater photographer, in dive gear holding his Nauticam underwater housing with its dome port and strobe
Nauticam housing in hand, ready to dive.

In the field

The gear doesn’t stay in the workshop

Housing in hand, ready to dive: this is the gear I photograph underwater life with. The same full-frame body as on land, protected by the Nauticam housing, with its dome port and strobes.

The underwater kit

Questions

Frequently asked questions about my gear

Which camera do you use?

Two Canon EOS R6, full-frame mirrorless cameras. I always bring both: if one has the slightest issue, the session goes on, and I have two focal lengths ready at once so nothing is missed.

Can you shoot underwater?

Yes. The EOS R6 goes into a Nauticam NA-R6 housing rated to 100 m, with a dome port, the 8-15 mm fisheye, two INON D-200 strobes and a video light. I create aquatic portraits in a pool or in the lagoon, as well as marine life photography.

Do I need to bring any equipment to my session?

No. I bring all the equipment needed, including the housing and strobes for an underwater session. You just bring yourself and your outfits.

What if a camera fails during the session?

It’s all planned for: two identical bodies, and every photo recorded on two memory cards at once thanks to the EOS R6 dual card slots.

Can I learn to use this gear with you?

Yes: that’s what my photography courses in Païta are about, on land and then underwater. Settings, light, composition, and a course to shoot in the lagoon.

The journal

Articles: camera gear and techniques

A question about your session?

Write to me: I answer personally, usually within 24 hours.

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